This chapter is filled with hateful dialog, uttered by the antagonist, Pinada. I believe writing such things is helpful to me, though. Yeah, you heard right. See, I get angry at people sometimes. People that have done horrible things. Or maybe they haven’t done anything much at all.
But every time I want to lash out at those people I reign it back. I think: “save it for the books.”
It’s another way for my writing to serve me: I’m able to channel my anger in a positive way, and I’m also able to make a believable villain. I can also observe how evil people are treated through the actions of my characters. It can serve as a reminder to what happens to people that decide to act out on their rage. If I’m in the real world and I ever feel that I’m starting to act like one of these villains, well, I know I need to shut up and walk away or else I’ll get a table dropped on my head. Continue reading →
Whenever I hear writers talk about making their stories there’s something that almost all of them mention: They know how it ends and they think about that part all the time. And that’s how I am, too; I’ve thought about these final chapters WAY more than the others.
And I don’t think that’s a bad thing. If I know my ending is amazing then I’ll do whatever it takes to make the journey to reach it worthwhile. It helped me through all those terrible first draft chapters with Templetine. Every time the situation seemed hopeless I knew I could look toward the ending to keep me on track.
I’ve heard some say that they like writing the ending first. I’m not sure I could ever do that. Sure, it is more fun now that I’m hitting the payoffs to all the character’s story lines. But experiencing the lead-up also puts the ending in perspective.
For as much as I THINK I’ve got the ending figured out, there are always those bits that wait until the entire story is written to emerge. Continue reading →
DVD commentaries can be great for learning story-telling techniques. For instance, the other day I was watching the episode of Aeon Flux titled “The Purge.” On the commentary, Peter Chung was talking about how the character Trevor needed to have an incredibly philosophical conversation about the nature of conscience.
Mr. Chung realized that an abstract conversation would feel out of place if it just happened at a normal locale. So what did he do? He decided to have the entire scene play out on a stage with a studio audience!
Shoot–look at that! Now it makes perfect sense for Trevor to make numerous, long-winded remarks: he’s on TV! Even Aeon’s scant attire becomes appropriate!
Like Chung, I have used a similar method in this chapter–heck, I’ve used it in the whole book up until now. When Pinada talks about his plan and what he’s accomplished he does it in front of an audience. It seems natural to the reader that Pinada would speak as long as he had the crowd’s attention.
So what are you waiting for? Grab a cactus-flavored bunny drink and start reading! Everything that happens here is perfectly normal!
I have an idea: I will start naming these music posts after the EVENT that occurs in the chapter! Because numbers are boring to me, and words are so much more thrilling! It took me nine months to remember that. Continue reading →
My site had a malware warning on it the past week. And do you know why? The WordPress theme I was using was being targeted by hackers! Can you believe that? They must have been using “Weaver II” as a stepping stone to infect my Abandonment Party novels!
Well listen up, you hackers! My work WILL be completed! The world NEEDS a story about a giant clay woman that transforms chairs into knives and by gum–I’m going to give it to them!
(Thanks go to my friend Matt for helping me fix my site. And to Kim: try harder next time, I guess!) Continue reading →